![]() More time has passed since the movie’s release than the once massive generational gap between the film’s primarily ‘50s setting and 1985. ![]() Robert Zemeckis and Bob Gale’s script is like a Swiss watch in precision, paying off every single setup in the film’s first act when Marty commandeers a time machine made by Doc Brown (a lovable Christopher Lloyd) and accidentally travels from 1985 to 1955… to meet his parents as teenagers! ![]() Fox as Marty McFly to the grand musical score by Alan Silvestri, everything about this movie justworks. As one of the most beloved films of the 1980s-if not ever-it’s doubtful we need to explain in great detail why this is exciting news. Great Scott! Back to the Future is coming to Netflix. And May has a surprisingly robust group of Hollywood films from the last 40 years coming to the streaming service on May 1. While the Netflix movie selection can be narrow, each month offers some worthwhile gems to revisit or even discover. Thus Netflix remains an old reliable option. Nonetheless, there are many who are understandably not ready to go back to theaters (or have yet to get an HBO Max subscription). And for those with more discerning tastes, films like In the Heights and Those Who Wish Me Dead are definitely going to make their release dates. Kong or Mortal Kombat doing solid business. You can see it with each glowing report about a Godzilla vs. Reach for the glass of red wine and your high school yearbook.Movies are slowly coming back to life at the cinemas. Here are the saddest movies on Netflix you can stream right now. We think these movies are all the sadder because of this complexity, anyway. So while we could just hit you with some tearjerkers (and, don't worry, we still will)-those films where the dog dies or the lover contracts cancer or literally nothing happy ever happens-we’re also gonna go a little deeper. These are movies that slap you across the face with some good old ennui-that feeling encapsulated in the street-side view of a black cat vacantly staring out of a suburban window. Films that bury you with sadness are not ultimately effective in order for something to be truly sad, it must provide the possibility of salvation there must be room for grace. Melancholy, Italo Calvino wrote, is “sadness made light.” That doesn’t mean sadness made funny, but sadness made bearable-able to be endured throughout the course of the film. Melancholy is really what we think about when we think about sadness in cinema. We’re going to venture to call this mood “melancholy.” Yes, sometimes we are left with death and loss and sometimes we cry, but the sadness is deeper. These are films which end without resolution. Ultimately, the genre is about a sustained mood. The Pixar film has one of the saddest opening sequences of any movie, yet the film isn’t a “sad movie.” Often times, we might conflate “sad” with “tragic”-because all tragedies tend to be sad-but not all sad movies partake of traditional tragedy (the fall from some height, the absurdity of some undeserved pain, etc.) Besides, the tragedy’s downfall isn’t always sad as much as just pathos-inducing-the literary term for, “damn, that really sucks, bro.” Neither are sad movies (only) movies that make you cry. Sad movies can’t just be those films that are relentlessly dark-films that depict suffering just for the hell of it, what we might label “poverty porn,” “war porn,” and overall “suffering porn.” (Shoutout to the Book of Job for this trend.) For the sake of consistency, we might say that a sad movie is one that creates a particular mood.īut that mood must be deeper than mere depression. Still, we think we could do a bit better than intuition. ![]() How we define a “sad movie” is often how former United States Supreme Court Justice Potter Stewart once defined obscenity in film, i.e., hardcore pornography: we know it when we see it. ![]()
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